Music

Working on a book chapter, I am trying to clarify some terminology. Right now I am thinking about the differences between “musical” and “music-related” movements/actions/gestures. What is the difference? I find that it makes sense to think about whether the action is direct or indirect. In other words: Musical actions: actions involved in music making, e.g. performing an instrument (i.e. sound-producing actions). Music-related actions: actions that are the result of, or influenced by, music, e....

I heard about the initiative last year at Music & Gesture 2 in Manchester, and now I see that the new online journal Music Performance Research is actually up and running. Music Performance Research is an international peer-reviewed journal that disseminates theoretical and empirical research on the performance of music. Its purpose is to disseminate research on the nature of music performance from both theoretical and empirical perspectives. The journal publishes contributions from all disciplines that are relevant to music performance, including archaeology, cultural studies, composition, computer science, education, ethnomusicology, history, medicine, music theory and analysis, musicology, philosophy, physics, psychology, neuroscience and sociology....

As part of the Ultima festival and the opening of this year’s Musikkteknologidagene, Kjell Tore Innervik and I organised the debut of the NMH Laptop Orchestra. Inspired by PLORK, we lined up with laptops and performed two pieces by Alan Tormey and Ge Wang. This was an immediate success, and we hope to establish this as a permanent ensemble from now. {#image494}

{#image489} I am doing some background research for a paper on “active music” and have been testing various audio software over the last few days. I was very excited about testing GarageBand ’08, since Apple has been shouting loudly about its new “magic” features. I have to say that I had some expectations that we would actually see some novel features here, especially since they promise a “hand-picked” band on a virtual stage....

There is a new music journal out titled Journal of interdisciplinary music studies, and which seems to be freely available online. I was particularly pleased to read Richard Parncutt’s opening paper on the history and future of systematic musicology. While it has been overshadowed (and to some extent suppressed) by historical musicology for the last decade, there seems to be a growing interest for systematic musicology today. However, as Parncutt argues, much of this research is carried out under other names and in other departments, e....

Tod Machover’s article Shaping Minds Musically is an interesting read, summarising much of the work on hyperinstruments that have happened at the MIT Media Lab during the last ten years. The main point he is trying to make, is that music should be active rather than passive. This comes from the observation that most people’s involvement with music is from a reception side rather than from production. There is more music than ever in the air, but fewer of us actually play music, sing music, or create our own music....

Students in musicology, music cognition and technology should consider ISSSM 2007: Following on the success of the first international summer school in systematic musicology (ISSSM 2006), the summer school will be held for the second time at IPEM, the research centre of the Department of Musicology of Ghent University (Belgium). This year courses will focus on current topics in the research field such as embodied music cognition, music information retrieval and music and interactive media....

In between everything else I will be participating in the Open Form Workshop at the Music Academy this weekend. Christian Wolff, the last living of the “New York composers”, is visiting Oslo and we will be working with him during the workshop. I have only had time to participate in some of the rehearsals so far, and it is very interesting. The pieces range from being very strict to very open leaving most things up to the performers....

Craig Sapp (formerly at CCARH now at CHARM) writes: I have been analyzing the performances of Chopin Mazurkas and have been noticing an unusual occurence: the performances of the same two pianists always matched whenever I do an analysis for a particular mazurka. In fact, they matched as well as two different re-releases of the same original recording. The full story about how the tracks have been slightly time-stretched, panned and EQed before being rereleased is covered in a recent story in Gramophone....

I went to a speech on surround mixing (5.1) last night by Bob Ludwig of Gateway Mastering. He spent a lot of time talking about gear and technicalities of mastering, and also discussed the different stages in mastering for various formats SACD, DVD-Audio etc. An interesting thing he commented on is the fact that when Dolby Digital is downmixed to stereo in consumer gear, the LFE channel is left out. So he advised to use the LFE (....