HCI at Stanford University: d.tools

d.tools is a hardware and software system that enables designers to rapidly prototype the bits (the form) and the atoms (the interaction model) of physical user interfaces in concert. d.tools was built to support design thinking rather than implementation tinkering. With d.tools, designers place physical controllers (e.g., buttons, sliders), sensors (e.g., accelerometers), and output devices (e.g., LEDs, LCD screens) directly onto form prototypes, and author their behavior visually in our software workbench....

February 2, 2006 · 1 min · 72 words · ARJ

Integrated sensing display

Apple has patented a new Integrated sensing display: On Jan. 12, the US Patent & Trademark Office revealed Apple’s new patent application titled “Integrated sensing display.” This is certainly the year of the integrated camera, as this patent presents. An integrated sensing display is disclosed. The sensing display includes display elements integrated with image sensing elements. As a result, the integrated sensing device can not only output images (e.g., as a display) but also input images (e....

January 24, 2006 · 1 min · 80 words · ARJ

Quartz Composer

I just got to know about Apple’s Quartz Composer, which has been hiding secretly on my computer for a long time (it is installed with the developer’s tools). Found some great examples from Futurismo Zugakousaku, which really shows the power of the system.

January 23, 2006 · 1 min · 43 words · ARJ

Quintet.net

Georg Hajdu has just released a new version of his Quintet.net performance system. “Quintet.net is an interactive network performance environment invented and developed by composer and computer musician Georg Hajdu. It enables up to five performers to play music over the Internet under the control of a “conductor.” The environment, which was programmed with the graphical programming language Max/MSP consists of four components: the Server, the Client, the Conductor and the Listener; the latter component enables the Internet/network audience to follow the performance […]....

December 30, 2005 · 1 min · 97 words · ARJ

ChucK : Concurrent, On-the-fly Audio Programming Language

I finally got around to download and try ChucK : Concurrent, On-the-fly Audio Programming Language by Ge Wang. Feels a bit strange, but I guess I need to work a little bit more with it. It says something about graphical tools in the readme, and I’m looking forward to that.

November 28, 2005 · 1 min · 50 words · ARJ

Interaktiv messe

Idé Forestill deg Betong full av mennesker som kun ved sin tilstedeværelse er med på å definere både form og innhold på en nattverdsgudstjeneste. Dette er Interaktiv messe, en ikke-lineær multimediadustjeneste som ble arrangert av Norges kristelige studentforbund søndag 29. august kl 2100 på Betong. Interaktiv messe føyer seg inn i rekken av Norges kristelige studentforbunds eksperimenterelle messer. Denne gangen brukes ny teknologi for å forandre både form og innhold i gudstjenesten....

August 20, 2004 · 3 min · 483 words · ARJ

Laser dance

Working with choreographer Mia Habib, I created the piece Laser Dance, which was shown on 30 November 1 December 2001 at the Norwegian Academy of Ballet and Dance in Oslo. The theme of the piece was “Light”, and the choreographer wanted to use direct light sources as the point of departure for the interaction. Mia had decided to work with laser beams, one along the backside of the stage and one on the diagonal, facing towards the audience....

December 13, 2001 · 7 min · 1409 words · ARJ

Master exam concert

Last week I performed my master exam concert at the Department of Music and Theatre, University of Oslo. The program consisted of improvisations for piano and live electronics. Different MIDI, audio, and video processing techniques were used. Here I describe the different pieces. Performa It is incredible how many exciting sounds one can get from a piano, and mallets are a nice change from playing on the keys. The computer helps with temporal adjustments and background sounds....

November 28, 2001 · 2 min · 301 words · ARJ